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Shawnwaito a écrit le : 18/03/2021 à 18:30 I'm a humble chef, however, Let me try to correctly formulate my head about the film, because it's so dear to my heart.
If men by using a revolver gets away from the train inside the prologue of Sergio Leone's film, then he must have something to say. The silent wanderer keeps a bitter story deep as part of his heart, his secret weighs heavily on his soul. However, even being sentimental in moments of relative solitude, the traveler is decisive, and in their eyes you will notice the fad which includes accumulated within the years. He isn't who he seems. The wanderer's name is Douglas Mortimer, a previous military man and today a bounty hunter. If viewers on the film listen to your words of any flabby old man chained to some bed (a funny grandpa appears closer on the middle of the film), they are going to learn that this trains, these damned and noisy objects, are responsible for everything. Alas, but earthly hardships are usually not confined to trains and Douglas Mortimer is comfortable with this, his problem is made up of bones, flesh and blood. The character, played by Lee Van Cleef, cherishes the soul with thoughts of revenge, but not just revenge is in the middle of the plot of Sergio Leone's brainchild, because in addition to the retired colonel, there is certainly another hero inside film. Fast, accurate, discreet, another bounty hunter. No less than curious, but at most wildly interesting, particularly if the “one-armed” shooter is played by Bruce Lee in the concept of Westerns - Clint Eastwood. It's easy to estimate that the paths of Mortimer as well as the nameless shooter will cross in the world on the wild west. The spaghetti is already from the pot.
In A Few Dollars More, phrases such as “in ten minutes you're going to be smoking in hell” or “you want a new sheriff” are inevitable. The hero of Clint Eastwood is shown to be a shooter whose abilities can be relevant in a science fiction novel, but that is considered can't be attributed towards disadvantages with the narrative. Including the most absurd moments while in the Western genre and underneath the skillful direction of Sergio Leone become salt for spaghetti, and the storyline of your partnership between One-Handed and Colonel Mortimer tenaciously keeps viewers in the screens, which are in all likelihood visited by such thoughts: ¬¬ “I wonder what will happen further? Will One-Armed and Colonel Mortimer find mutual understanding? ” “A few bucks more” - shootings, chases, music of the clock, personifying next of death, here satire, in addition to foolishness, lives alongside each other with drama and ironically interpreted religious motives. And, finally, the storyplot shown by Sergio Leone is the archetype of assorted paintings, where partnerships flow into friendship, though into a form of friendship, on this friendship a friend can shoot somebody within the neck to ensure that he isn't killed because of the thugs of the final boss. The fire is burning below the pan. The spaghetti actually starts to boil.
Sergio Leone's tape is indeed a classic with the genre, and this is certainly simple to implement by the sound of bullets fired because of the heroes, bank robberies as well as the long glances that two shooters exchange prior to the decisive shot, that shot that decides human destiny. The creators besides draw attention to their creation (and they generally do it well), and also touch on burning topics in some installments of the film, not being afraid to scoff at corrupt politicians and cunning businessmen, using original script moves. Additionally, it's a lot more than interesting to view a variety of Clint Eastwood and Lee Van Cleef - the heroes of the previous and new generation of westerns who, in the wonderful pictures of Manco (One-armed) and Colonel Mortimer, now and then try to prove something to one another, competing from the possession of a revolver and doing of sieve hats. Hmm, something's heating up with the food prep, phew, you're ready serve spaghetti for the table. Winnie, the attendees are waiting, hurry up, they are hungry and have learned to taste Leone's signature spaghetti. It is not easy for an expressive chef to get the best helper these days. Spaghetti is served, but wait one minute, dear guests.
Undoubtedly, Sergio Leone in his “A Few Dollars More” demonstrates to the world of cinema the lion's share of his talent and professionalism, and the picture itself may very well be hypertrophied dominating before the 1st film in the trilogy, which attracted the interest with the expressive Akira Kurosawa. Ages later, Leone's brainchild efforts to please a number of people, as well as the film succeeds: those viewers who crave a dramatic story understand it, people that love shooting and duels are satisfied, and connoisseurs of satirical humor will probably be satisfied after watching. When it comes to music, it is possible to speak briefly - Ennio Morricone. Dear listeners, perhaps My business is too excited, helping to make my head a bit confused, but in case you watch an incredible film of my fellow countryman putting on, you can be convinced of your correctness of my words. However, I can't hide my bias, I actually love the stories concerning the shooters in the wild west, where the two totally different bounty hunters chasing a similar victim, but not the exact same motives. Oh, I almost forgot, season with spaghetti sauce and garnish with basil. Looks pretty good. Enjoy your meal!
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